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Hey everyone! I’m so excited to *officially* announce a new way for you to stay in touch with me and my business that doesn’t involve silly algorithms and you hanging out on social media all day. I’ve finally taken the plunge and created an email list for my most dedicated supporters.

So what does that mean? It means special sales just for subscribers during the biggest buying seasons of the year. It means behind-the-scenes looks at my work and my process, including videos and timelapses. It means you get to know as soon as something new goes up in the shop… especially those one of a kind pieces. But if you’re anything like me, I know you’re not interested in getting emails daily that you never even end up opening anyway or emails that don’t relate at all to what you’re interested in. And I wear a lot of different hats at South Ranch Creative. That’s why I’m letting new subscribers choose their interests. Less unnecessary emails. More of what YOU want. If you’re only interested in DIY and craft tutorials, just select that option. If you’re not creative, but have a small business that needs a branding upgrade, select graphic design and custom services. And if you just love my work and watching me make it, choose the home goods and arts option. Don’t worry though, you can select as many as you like!

But there’s one more bonus I am particularly excited about because I’ve never done anything like it before. The first 50 subscribers to my new email list will have the opportunity to receive a FREE original 5×5″ pen and ink illustration from the series I started through Inktober (check it out on my Instagram). I’ll send out an email once the first 50 people subscribe, and you’ll all have the option to opt in and receive your free illustration and maybe a little thank you note from yours truly. I’m so thankful too to those of you who have already joined. I’m BLOWN AWAY by the amount of support I’ve gotten and I’m so happy to be able to offer something to my biggest supporters.

I hope you consider signing up and feel free to email or comment with any questions.

-B


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In this third and final lesson for beginner modern calligraphy, you will learn your uppercase and lowercase alphabet as well as some tips just for fun!

An Introduction to Modern Calligraphy Basics: Let’s Learn our AaBbCc’s

Now that you’re a calligraphy beginner-master at holding your pen and forming the basics strokes of modern calligraphy, we’re ready to dive in to two different capital alphabets, the lowercase alphabet, and some fun little additions just to get your wheels really turning. If you missed out on our first two modern calligraphy lessons, you can find lesson one on the tools here and lesson two on forming basic strokes and letterforms here.

 

Uppercase Alphabet #1

 

I like to call this version my “business uppercase”. They are close to your simply standard print letters, and they are great if you’re going for a look that isn’t overly feminine or is a bit cleaner. Now that you know how to make thick and thin strokes, try practicing these letterforms and see if you can figure out how each stroke is made.

 

Learn uppercase capital letters | Modern Calligraphy Basics

 

Uppercase Alphabet #2

 

Accordingly, I like to call this version my “party uppercase” because they are a little more playful and more closely resemble some sort of script or cursive alphabet. The great part about all these alphabets are that they are completely flexible to what you want to do! If you want to add a bunch of curlicues at the end of every letter to make your writing ultra playful and fanciful, go for it!

 

Learn uppercase capital letters | Modern Calligraphy Basics

 

One of my favorite things to do–you guessed it–is to mix together the use of my business and party capitals. And while mullets may have yet to come back in style, I promise you this looks pretty cool! Be sure that all your capitals and lowercase aren’t too different in style, however, because it won’t give a consistent look across your writing. That’s why in these alphabets you’ll notice a lot of similar beginning or ending strokes coming off the letters. Repetition creates harmony, folks!

Lowercase Alphabet

 

While we saw in my last lesson how to form each letter in the lowercase alphabet, I wanted to show you them all together here. I do this because again you will notice similar styles in how I form the letters. Things like the bowls of my b’s q’s and d’s all have a similar but not perfectly round shape. There are so many different ways to do calligraphy, it’s overwhelming. Seriously, just do a quick Google search for “modern calligraphy” and look at all the different styles, and tools, and applications, oh my! So while it may be easiest to copy what you see in the beginning of your practices, don’t be afraid to get out there and do your own thing!

 

Learn lowercase alphabet | Modern Calligraphy Basics

 

Just check out these three simple ways you can change the look and feel of your calligraphy:

 

Tips and Tricks | Modern Calligraphy Basics

 

The first a is my standard lowercase a. But to give a softer, more traditional feel, you can use a more perfect oval to form the bowl of your a. Do this for any of your lowercase letters that would use that shape and you get an entirely different feel! Another thing you can try is italicizing your calligraphy. Traditional pointed pen scripts like Copperplate or Spencerian are all written on a slant, and it does tend to give a more elegant, traditional appeal. I’m just touching the surface of things you can do in hopes of encouraging you to go beyond your comfort zone and always try to learn new things.

 

Practicing words, flourishes, and other fun calligraphy things

 

What I want you to do now is finally start practicing your words and sentences! This is an important step because while you are just forming together a string of letters to create a word, sometimes that string that connects the words can get a little confusing. Don’t worry, nine out of ten times it’s as easy as one of those angled, upward strokes that happens naturally at the end of your letter. But some can get a bit tricky, and what do you even do about capital letters connecting?

 

For me, I go back and forth connecting my capitals to the following lowercase letter or not. It really just depends on your preference and which letter it is. I find that, for example, a capital C connects really easily to my lowercase letter because the end of the stroke ends a lot like many of the lowercase do. On the other hand, I don’t normally connect my capital Bs because I like the ending stroke to come up a bit higher than where my lowercase letters start. Try doing both for ever capital letter in the alphabet and what you come up with, which you prefer, and which look more natural.

 

Learn lowercase alphabet | Modern Calligraphy Basics

 

As for some of the lowercase letters that don’t always connect nicely, sometimes you can alter the letterforms slightly if you’re finding a really awkward connection. For example, the ending stroke of a lowercase o will typically occur much higher up from the baseline than most lowercase letters. This isn’t usually a problem unless you’re connecting to another odd letter like an r. Because coming from an o, the r wouldn’t start at the baseline, it can get really hard to read the r as an r. To offset this, I will drop down my final loop of the o a little lower, and draw up the first stroke of the r a little higher just to exaggerate the forms enough to make it clearly readable. Even I have trouble with this sometimes still. Just check out my connection of w and x, yuck! I don’t know when you would ever see that combination of letters but it’s good to challenge oneself! Now I don’t know all the awkward combinations off the top of my head, and chances are some will bother you while others you’ll think completely fine. This is a lesson of time and practice. The more words you try out, the better you’ll get at writing and connecting specific letters and the more confident your calligraphy will look overall.

 

I also want to show you a few alternative ways to write some of the lowercase letters. Of course there are more than just these, but these are the ones I switch out most often depending on the circumstances.

 

Alternative lowercase f and r | Modern Calligraphy Basics

 

I tend to prefer the first f pictured here and the second r. But what makes these two letters specifically difficult to use is the fact that their ending stroke does not necessarily connect to the following lowercase letter. It can be done, but it can also end up looking really awkward in the process. For that reason, I tend to only use this r when it occurs as the last letter in a word, so I don’t have to connect it to anything!

 

Now to the Fun Part: Flourishing!

 

How to create flourishes | Modern Calligraphy Basics

 

If you’ve seen calligraphy before and are anything like me, the absolutely most mesmerizing, beautiful, I-want-to-learn-this part is the flourishing. Flourishing is where you the beginning or end strokes in your letters to create decorative lines, or flourishes, that can add a certain personality or mood to your calligraphy. It is also one of the hardest things ever to do, which is why my section on this is short. I’m just a beginner too!

 

Flourishing is typically seen in shorter sentences, phrases, or single words. It would look a little odd to heavily flourish a whole paragraph of writing! It’s less mechanical and functional and more decorative. The most important thing I’ve learned about flourishing is that you need to be consistent with the style of your flourishes across a piece. And this was (and is!) incredibly difficult for me as easy as it sounds. This isn’t to say that all your flourishes should look the exact same… that would be quite boring! But they do need to exhibit some of the same features. If you have several loops on a flourish that gradually get smaller in size as you finish the stroke, be sure to have loops that continue in this manner in your other flourishes. Think about the angle of your loops. The first flourish below has almost no angle at all, while the third flourish has about a 45 degree angle to the horizontal. It won’t always be easy to describe or know why exactly your flourishes don’t seem to fit, but trust me when I say you will definitely know that something is off. Below are a few examples of some styles that I tend to use often in my work. Anything goes here so give it your all!

 

Flourishing examples | Modern Calligraphy Basics Flourishing examples | Modern Calligraphy Basics

 

Well, congratulations friends! You’ve officially completed my introductory course on modern calligraphy and I hope you’ve been inspired to give it a try! I’d love to see what you come up with and hear about any troubles you are having. Don’t worry, this isn’t the end. As I learn, you learn, and I can’t wait to do more tutorials in the future!

Keep practicing,

-B

A lesson for beginners who have never tried calligraphy before on how to hold the pen, the basic strokes that create letterforms, and alphabet I use when doing modern calligraphy.

An Introduction to Modern Calligraphy Basics: Holding the Pen and Basic Strokes

Last week, I posted about the tools I use as a calligrapher and some of the tips and tricks I wish I had known when I was first starting out with modern calligraphy two summers ago. This week, I want to teach beginners who have never tried calligraphy before how to hold the pen, the basic strokes that create letterforms, and alphabet I use when doing modern calligraphy. If you don’t know what supplies you need or where to begin, you can check out part 1 of this introduction here.

 

Step 1: Holding the Pen and Nib Placement

 

Learning how to hold your calligraphy pen is a crucial step to modern calligraphy success that you might be tempted to overlook. Many times when first learning I would be having trouble with uneven strokes or the nib skipping on the paper and thought I was just using the wrong paper or nib or just needed more practice. In fact, it was my nib that wasn’t inserted correctly into my pen holder that was causing a lot of headache and not very pretty writing.

 

Anatomy of your calligraphy tools: Oblique pen holder and flex nib

 

First you will need to know a little bit about the anatomy of your pen. The tool you will be using for pointed pen calligraphy to hold your nib is called an oblique pen holder. The little doohickey coming out to the side at the end of the pen is called a flange, and that is what holds your nib and enables you to write at different angles so that the pressure and direction of your downstrokes are consistent and parallel with the angle of the nib. You may also instead choose to use a straight pen holder depending on your natural hand position when writing or if you are left handed you may find it more comfortable and natural to use to get the correct angle. Disclaimer: I am right handed and although I may point out some tips and tricks I’ve learned for left-handed calligraphers, you may want to seek out more specific lessons for how to hold your pen from a fellow left-handed calligrapher. Youtube is a great resource. You might check out this video here on left handed calligraphy. Once you’ve learned how to hold your pen, the instructions below for forming strokes and letterforms will be the same!

 

Now let’s talk about nibs. The nib is the metal piece that you dip into ink and write with. For pointed pen calligraphy, we will be using a point, or flex nib, which means that the tip of the nib comes apart when you press it to the paper, creating the thick downstrokes in your writing. Those two pieces that form the tip of your nib are called tines. They are tough but can break or come apart over time after lots of use or applying too much pressure on them against the paper. You can find stiffer or more flexible nibs that make it easier or harder to separate the tines to create thicker strokes. I prefer somewhere in the middle. You can check out my most-used nibs and a short description of them here. Now the other most important part of the nib you’ll need to know about is the vent hole or breather hole. That is the hold in the center of your nib at the end of the slit. This hole serves dual purposes. First, it gives your ink a place to collect and feed continuously to the tip of your nib as you’re writing. Without it, the flow of ink would be very inconsistent and it would too quickly come off the pen and dump out into a blob on your paper. The second, and equally important purpose of the vent hole is to reduce the pressure on the tines as they separate on the paper during downstrokes. Without the hole, the tines would be more prone to breaking or splitting.

 

Learning how to hold your oblique pen

 

Now that you know the pieces of the puzzle, we can start putting it together by preparing and holding your pen. First, insert the base of your nib into your pen holder. You want the convex curve of the nib facing up at you, so that the side of the nib with the imprinted nib I.D. is readable. From a point where the nib is parallel to the plane of the flange, you will want to rotate the nib slightly inward, turning to the right (see picture below). This is a crucial step and varies to every calligrapher’s individual hand position as they write. The reason for turning the nib is because when you hold the pen, the plane of the flange will very likely be angled downward horizontally as well as vertically vertically from the base of the pen. The horizontal downward angle of the flange causes us to need to rotate the nib in the opposite direction to offset that angle. That way when you’re writing, the tines will touch the paper at the exact same time to create straight, consistent strokes. You may notice a jagged edge or curve in what is supposed to be your straight downward stroke otherwise. I know this may sound complicated, but trust me, when you get the hang of holding the pen and practicing strokes, you will easily notice when the nib is out of line and be able to correct it accordingly.

 

Anatomy of your calligraphy tools

 

Learning how to hold your oblique pen

 

Step 2: Basic Strokes of Modern Calligraphy

 

Congratulations! It’s finally time to make a mark on paper. We will start by practicing some basic strokes that are used in almost every letterform you will make when writing pointed pen modern calligraphy. It’s important to practice these strokes often, until and even after they become second nature to you. It’s a good warm-up to any calligraphy session.

 

Learning the Strokes

 

I’ve highlighted eight commonly used strokes that I use when creating letterforms in this style of modern calligraphy. I’ve numbered them 1-8 so that later on you can see how I put the individual strokes together to form letters. Remember, the thick strokes are created when you are pulling the pen downward. The thin strokes are created with upward movements.

Learn basic strokes for modern calligraphy

Learn basic strokes for modern calligraphy

Learn basic strokes for modern calligraphy

Learn basic strokes for modern calligraphy

    • Stroke 1: This is your most basic downstroke. Practice making a perfectly vertical stroke that is a consistent thickness the whole way down. This will teach you sensitivity to the pressure you are putting on your nib and help you create consistent strokes throughout your writing.

 

    • Stroke 2: This is stroke, or a variation of it, is of the most commonly used strokes you will make. It is found in several of lowercase letters such as a, i, m, n, and u. Start by making a downstroke, then right as you get towards the bottom, start to release some of the pressure as you begin drawing your pen around and back upwards at an angle.

 

    • Stroke 3: This is the opposite of stroke 2 and also very commonly used. This time, begin with an upstroke, putting very little pressure on the nib so that the tines are still touching each other. Then as you round the top, begin to add pressure and do a downstroke.

 

    • Stroke 4: This is sort of a combination of 2 and 3. Create individual shapes to start, and when you begin to get the hang of it, try creating a continuous wavy line and see how consistent you can get it to look. Try to keep the angled upward strokes all at the same angle and the thick downward slopes all perfectly vertical.

 

    • Stroke 5: Stretch out your stroke 4 to create an approximately 90 degree angle between your upward and downward strokes. Again, try creating a continuous line of this and see how consistent you can get it to be.

 

    • Stroke 6: Stroke 6 is the shape I like to use to create the counter, or enclosed circular shape in a lot of my lowercase letters. Think about the a, b, d, g, p, and q. You can use this shape or stroke 7 to create round enclosed area. I prefer this slightly more funky shape to give my modern calligraphy a little bit of character.

 

    • Stroke 7: In addition to using this stroke in place of stroke 6 for all the uses listed above, it is also necessary for your o and a good way to practice consistent transitioning from upward to downward strokes.

 

    • Stroke 8: The final and most complicated of my basic strokes will help you get the feel for creating the ascenders and descenders of letterforms like b, d, or q. While you’ll never make this stroke exactly, it will help you get in a rhythm and practice your ascenders and descenders at the same time.

 

Applying the Strokes

 

Now that you have a bit of a sense for the pen and the motions your hand will be frequently making, lets combine a few of these basics strokes to make letters! I’ve added directional arrows to each stroke and labeled any strokes that are the basic ones you learned above (1-8) to help memorize the motions. If you only see one form, that means I created the whole letter without picking up my pen. If you get lost, start at the red dot and follow the directional arrows to understand how to create the form.

 

How to create letterforms with pointed pen modern calligraphy. Lowercase a, lowercase b, lowercase c.

How to create letterforms with pointed pen modern calligraphy

How to create letterforms with pointed pen modern calligraphy. Lowercase g, lowercase h.

How to create letterforms with pointed pen modern calligraphy. Lowercase i, lowercase j, lowercase k.

How to create letterforms with pointed pen modern calligraphy. Lowercase l, lowercase m.

How to create letterforms with pointed pen modern calligraphy. Lowercase n, lowercase o.

How to create letterforms with pointed pen modern calligraphy. Lowercase p, lowercase q, lowercase r.

How to create letterforms with pointed pen modern calligraphy. Lowercase s, lowercase t. \How to create letterforms with pointed pen modern calligraphy. Lowercase u, lowercase v, lowercase w.

How to create letterforms with pointed pen modern calligraphy. Lowercase x.

How to create letterforms with pointed pen modern calligraphy. Lowercase y, lowercase z.

 

Awesome work friends! Now you know your ABCs of modern calligraphy! I don’t want us to get too far ahead of ourselves, so in part 3 of this lesson, I will show you my whole lowercase alphabet together, and two variations of a capital alphabet. I’ll also go over some variations you can apply to your letters and talk briefly about flourishing! So practice your strokes and your lowercase ABCs once you get comfortable with that. Let me know what questions you have; I’d love to answer them!

 

Practice makes perfect.
Practice makes better.

-B

A starting point for beginners in the quest to learning the tricks and tools of modern calligraphy. Includes exact supplies and suggestions on where to buy!

An Introduction to Modern Calligraphy Basics: The Tools

This lesson aims to teach the basics and “need-to-knows” about beginning modern calligraphy, which has seen a huge resurgence in popularity over the past couple years in everything from weddings to logos to home decor. One of my goals for the new year is to start posting more tutorials on the blog for creative individuals at the beginner level. This doesn’t mean you have to be an artist or designer to follow them (though of course you are welcome if you are!), just a creative-minded individual who’s doodled in their notebook a time or two.

 

So let’s get started.

 

What does modern calligraphy even mean?

Modern calligraphy put simply uses the techniques and materials of traditional calligraphy (pen holder, nibs, ink, etc.) but doesn’t follow the strict guidelines as to how to write in different script styles (such as Copperplate, Roman, or Spencerian). In modern calligraphy, you can make up any style you like!

 

For this tutorial, I will be focusing on pointed-pen modern calligraphy, which means that thick and thin lines are created by the pressure you put the nib to the paper as you write rather than the direction and angle you hold the pen. This type of calligraphy requires a certain type of nib. Which brings me to…

 

A starting point for beginners in the quest to learning the tricks and tools of modern calligraphy.

What on Earth do I need to get started doing modern calligraphy?

I know other calligraphers who swear by certain supplies might hate me for saying this, but from my own experience first starting out and trying new things, the exact materials you use don’t bear a huge amount of significance. I purchased the cheapo Speedball oblique pen calligraphy kit from Amazon and still use it today! There’s no point in buying expensive materials to start out if you come to decide that you don’t like modern calligraphy at all! One possible exception to this rule is ink. Your average craft store will likely only have a few kinds, mainly dominated by small containers of Speedball ink in different colors, which I’ve personally found to be awful probably because they’ve been sitting on the shelves for quite some time and have separated and hardened. Others swear by Speedball ink. I will tell you all the supplies that I use, but I encourage you to play around and try your own materials!

 

This list contains all the supplies I use for practicing modern calligraphy. You do not need all of it to get started! Even if you don’t have any of the supplies yet, you can get started with just a soft pencil (preferably not mechanical) and some printer paper and just start practicing the movements and the letterforms!


All the supplies listed below are linked to one of my preferred sites for buying art supplies. I would suggest checking a few for the lowest price before purchasing! If I don’t buy in-store, I typically purchase from one of the following: Amazon, Plaza Art, Paper & Ink Arts, or DickBlick. For simplicity, I’ve linked all the items to a listing on Amazon as every item can be found there, but it’s not necessarily the lowest price!

 

Ink/Paint

Higgins Eternal Black Ink: Higgins Eternal is a classic and well known calligraphy ink that is great for practice and those just starting out! Speedball Super Black India Ink is also a common starter ink that I’ve tried and have had decent success with.

Holbein Artists’ Gouache (in various colors): Gouache is one of my absolute favorite mediums to use. It is a paint that I liken most closely to watercolor with its ability to be watered down and used as a beautiful ink! It has a beautifully matte finish and comes in vivid colors. My favorites are pearl gold, jet black, and turquoise green but I also have the primary CMYK set which I use frequently as well.

There’s endless amounts of ink and paints out there to use and practice with, but I recommend you start with a black liquid ink. Mixing the right amount of water and gouache, water and watercolor, or water and an ink stick can be tricky business if you’re new to it, and it will help with troubleshooting problems if you don’t have to add ink to the potential problem list!

Paper

Rhodia Dot Pad 16.5” x 12.5”: I absolutely love my Rhodia dot pads and graph paper. The paper works great with the inks I’ve specified above and doesn’t buckle or get caught on the smooth paper. I purchased this large pad because I’m one of those people that hates to rip pages out of a sketchbook and I can fit in tons of practice on a single page with this size. That means I spend less time waiting around for the ink to dry before I can fold back the page and start on a new one.

Borden & Riley #37 Bright White Translucent Bond Paper: This paper is great if you prefer a dot or line-free paper to practice on. I simply use a sheet of pre-lined graph paper underneath that shows through the translucent paper to use as a guide for writing. Or, if I’m looking to create a looser style, I use no grid at all. It’s extra important on this paper to use a spare sheet of paper under your hand to protect the paper as you write. Any spare blank printer paper will do. Although I recommend doing this with any paper you are writing on, I’ve found this one to be especially sensitive to the oils in your hand which can cause weird things to happen when you write over it like the ink not appearing to “stick” to the paper.

8×8 to the inch Gridded Graph Paper: I recommend graph paper that has 8×8 squares to the inch because it forms a great and proportional guide for practicing calligraphy. You can practice straight on the paper (if it works with calligraphy ink) or use it under your translucent paper as a guide. Unfortunately the squares on the Rhodia pads are not to this scale, but the great thing about modern calligraphy is that you can make up the rules to the proportions and height of your letters to fit whatever style you like!

Nibs

Hunt 101

Tachikawa G

Nikko G

These are the three nibs I’ve used most frequently since beginning my exploration into pointed pen calligraphy. Now I’m far from an expert on nibs (there are literally thousands of different kinds), but I tend to like slightly more flexible nibs because they allow for wider strokes with less pressure. The Hunt 101 is probably the most flexible of the nibs, then the Tachikawa G, then the Nikko G. The Nikko and Tachikawa produce very crisp lines. The Hunt 101 can be very fun and create a lot of personality in the writing, but can sometimes be a little finicky releasing ink.

Penholder

Speedball Oblique Penholder

Speedball Straight Penholder

These is the cheapest, most basic black plastic pen holder you will probably come by and I’ve used them exclusively as I’ve been learning and teaching myself calligraphy. Bottom line: they work, they’re easy to clean, and they’re cheap. If you tend to get clammy hands like I do, you may want to look for a wood or higher quality penholder in the long run because this slick plastic could get slippery. Still, I would recommend it for beginners because of the price unless you know this is something you will be interested in for the long term.

The oblique holder I use for all my pointed pen (flex nib) calligraphy and the straight holder I use for all my italic (flat nib) calligraphy. The oblique holder looks scary, but it allows you to write at the proper angle to create thick and thin strokes. To my left handed friends: the oblique versus straight pen scenario is not so cut and dry for you. I have heard of people using the straight pen for what a right handed person would use an oblique pen for, but I’ve also seen others use the oblique pen fine. My recommendation is to get one of each and try out what you feel most comfortable with. I will be going over how to hold the pen in part II of this lesson.

Other

Staedtler Mars Technico Lead Holder (and lead!): I love my Staedtler and it’s a great pencil, but honestly any pencil will do fine. When it comes to calligraphy, I’m only using this to create my grid lines on my dot pad or graph paper.

Palomino Blackwing Pencil: Another instance where I have found a specific brand I like, but any will do. A non-mechanical pencil that is HB or softer works great for practicing calligraphy before you even get your supplies. You can practice the motions and the letterforms and even the thick and thin strokes by pressing down hard or light as you’re writing.

Small Inkwell: When I first started calligraphy, I was brushing the ink or paint onto my nib with a brush because the vial, dish, or container I was drawing my ink from was either too large to dip into (I always ended up getting ink all over my holder) or too shallow to dip in. This may seem like an exaggeration and I promise you it’s not, but the best move I ever made was getting a small vial to keep my ink in so that I could dip my pens rather than brushing the ink on. It saves loads of time and frustration with trying to brush with your non-dominant hand and you don’t have to have your whole ink bottle open and drying out as you work. Any tiny plastic or glass container will do, but I recommend buying one made for calligraphy as it will be the perfect height to dip in your nib but not too far and should come with a lid for easy transport!

Small plastic pipette: A necessary addition to using an inkwell. There would be nothing worse than trying to pour from a huge ink bottle into a tiny vial and losing about half your ink when you spill it everywhere. Trust me.

Scrap Paper: To use as a guard to protect your paper from your hand as you work. Plain printer paper works great.

Paper towel or small scrap towel: To wipe up any spills, clean your nib, wipe your fingers on. I promise you will use this in some way or another, particularly as you are learning to use your tools.

Adjustable Table Lamp: Not a necessity, but can be helpful to have a consistent light source! I recommend an adjustable table lamp so that you can place it in the proper position as to not create any shadows where you are writing. For someone right-handed, you want to position the lamp in the left upper corner of your workspace pointing towards your hand. That way as you write, your hand or penholder won’t cast a shadow over where you are writing.

Ruler: For drawing grid lines. I love my metal, cork-bottomed ruler. I recommend a 12 or 18 inch ruler. I use 18” because it’s big enough for my Rhodia dot pad but small enough to not be unwieldy.

 

Overwhelmed yet? I hope not! As I said at the beginning, don’t panic that you don’t know or have the perfect supplies yet; all that will come in time. Luckily, it is easy to find cheap, beginner materials that work great and many that are of great quality. Starting out in modern calligraphy is not a huge investment, so don’t feel the pressure to get everything perfect like I did!



If you’re still feeling a bit lost or uncomfortable, the materials I use specifically for the upcoming tutorial are as follows: 2 ½ fl.oz. Higgins Eternal Black Ink, Tachikawa G nib, Speedball Oblique Penholder, Staedtler Mars Technico mechanical pencil, Dinky Dips inkwell with wood holder, and the last five items under “Other” section (no specific brand although I hear that Bounty is in fact the quilted, quicker picker-upper).

 

A starting point for beginners in the quest to learning the tricks and tools of modern calligraphy.

What’s next?

Next week, I will teach you the basics of holding the pen, practicing basic forms, and writing your first alphabet with modern calligraphy! So gather your supplies, and leave any questions in the comments so I can get back to you before we begin!

Keep learning.
-B